The series presents waacking as more than a dance style- a living art form rooted in Black queer culture & lovingly reinterpreted within an Indian context. The history, origins & creators of waacking are acknowledged, cited & respected, offering a rare example of cultural appreciation done right. Rather than extraction or imitation, what we see is translation, education & homage.

I am writing this after a conversation with a friend who had just completed her PhD...At one point, she gently described us as being in the in-between.

Set against the backdrop of the 1960s Bristol Bus Boycott, this production is both historically grounded & emotionally piercing.